David Ebony’s Top New York Gallery Shows This Winter

Bradley McCallum

Bradley McCallum, Nationalist —Slobodan Milošević Diptych (International Criminal Tribunal for the former Yugoslavia, February 12, 2002 appearance, after a photo by Raphael Gaillarde; died in custody, trial terminated), 2015.
Photo courtest Robert Blumenthal Gallery.

Bradley McCallum at Robert Blumenthal gallery, through March 5.
For years, Bradley McCullum, often working in collaboration with artist Jacqueline Tarry, has directed his artistic pursuits to sculptures, installations, paintings and performances with a political edge, and social significance, which are apparent in the ten recent works on view in this solo exhibition. The meticulously executed oil paintings, including large, photorealist-style portraits of notorious war criminals, explore masculine configurations of power, in war, international relations, and militarism. It is a potent and thought-provoking show with far-reaching implications, especially in this presidential election year, with all of its attendant angst, drama, and conflict.

The oil studies of tyrants, such as Thomas Lubanga Dyilo, of the Democratic Republic of the Congo; and Cambodia’s notorious Nuon Chea, of the Khmer Rouge; and Serbia’s Slobodan Milošević, have a kind of jarring and palpable intensity, especially as McCallum paints each in “reversal” or negative image, which resembles a ghostly X-ray. Despite the harrowing subject matter, McCallum is hypersensitive to formal elements in the works, which can often appear elegant and restrained, as in a series of refined oval compositions of painted silk. These lively and colorful pieces feature artfully abstracted images of various violent demonstrations around the world, among them anti-US protests that inevitably include burning of the American flag.

Original full article: https://news.artnet.com/market/winter-gallery-shows-nyc-david-ebony-412703

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